Genius Lab

Graphic design inspiration while a build my portfolio.
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♥ 137
→ 13 May 13 at 12 pm

weandthecolor:

Trend Font

The Trend font by Latinotype is based on a sans and a slab serif font and its design is based on current global trends. The complete font family includes a bunch of different typefaces and a set of additional ornaments and symbols.

Buy the trend font on MyFonts.com

The Trend Font on WE AND THE COLOR
WATC//Facebook//Twitter//Google+//Pinterest
weandthecolor: Trend Font The Trend font by Latinotype is based on a sans and a slab serif font and its design is based on current global trends. The complete font family includes a bunch of different typefaces and a set of additional ornaments and symbols. Buy the trend font on MyFonts.com The Trend Font on WE AND THE COLORWATC//Facebook//Twitter//Google+//Pinterest
♥ 285
→ 11 Apr 13 at 9 am

weandthecolor:

Liquor Package Design Concept

A packaging concept by Caleb Heisey for Folksaga, a Swedish dis­tillery of akvavit (tra­di­tional scan­di­na­vian liquor). The illustrated bot­tles fea­turing pop­u­lar Swedish folk tales. The illustrations show mytho­log­i­cal char­ac­ters such as mer­maids, trolls, or witches.

More of the packaging concept on WE AND THE COLOR
WATC//Facebook//Twitter//Google+//Pinterest
weandthecolor: Liquor Package Design Concept A packaging concept by Caleb Heisey for Folksaga, a Swedish dis­tillery of akvavit (tra­di­tional scan­di­na­vian liquor). The illustrated bot­tles fea­turing pop­u­lar Swedish folk tales. The illustrations show mytho­log­i­cal char­ac­ters such as mer­maids, trolls, or witches. More of the packaging concept on WE AND THE COLORWATC//Facebook//Twitter//Google+//Pinterest
♥ 197
→ 09 Apr 13 at 9 am

cutielittledimple:

polar bear onion soup packaging

(via jailbait)
cutielittledimple: polar bear onion soup packaging
♥ 67
→ 04 Apr 13 at 9 am

weandthecolor:

Adelle Font Family

Adelle is an award winning slab serif font designed by Veronika Burian and José Scaglione (published by TypeTogether). The typeface is focused on editorial use, mainly for newspapers and magazines. The type family consists of 12 styles, ranging from light to heavy with more than 900 characters per font. Adelle supports over 40 languages that use the Latin extended alphabet.

Buy the Adelle slab serif type family on MyFonts.com

More about the Adelle font family on WE AND THE COLOR
WATC//Facebook//Twitter//Google+//Pinterest
weandthecolor: Adelle Font Family Adelle is an award winning slab serif font designed by Veronika Burian and José Scaglione (published by TypeTogether). The typeface is focused on editorial use, mainly for newspapers and magazines. The type family consists of 12 styles, ranging from light to heavy with more than 900 characters per font. Adelle supports over 40 languages that use the Latin extended alphabet. Buy the Adelle slab serif type family on MyFonts.com More about the Adelle font family on WE AND THE COLORWATC//Facebook//Twitter//Google+//Pinterest
♥ 400
→ 08 Mar 13 at 3 pm

weandthecolor:

Beards & Typefaces

Christian Goldemann is a graphic designer based in Stuttgart, Germany. Driven by his love for beards, fonts and illustration he created this illustrated beard guide, a collection of mustaches and beards with their fitting typefaces.

via WE AND THE COLOR
WATC//Facebook//Twitter//Google+//Pinterest
weandthecolor: Beards & Typefaces Christian Goldemann is a graphic designer based in Stuttgart, Germany. Driven by his love for beards, fonts and illustration he created this illustrated beard guide, a collection of mustaches and beards with their fitting typefaces. via WE AND THE COLORWATC//Facebook//Twitter//Google+//Pinterest
♥ 187
→ 08 Mar 13 at 1 pm

weandthecolor:

Alright Sans - Modern Sans Serif Font

Alright Sans designed by Jackson Cavanaugh (Publisher: Okay Type) is a modern sans serif typeface that is inspired by typical grotesque and humanist fonts. Alright Sans has a very clean, harmonic and friendly shape. The capitals of the typeface are a little bit shorter than normal while it has a tall x-height. Alright Sans includes some special OpenType features such as case-sensitive punctuation and an optically-correct superscript which makes the high-quality typesetting much easier. The type family also includes some alternatives, expanded character sets and lining figures. Alright Sans supporting over a hundred languages. The weights of the font family ranging from extra thin to ultra heavy.

Buy the Alright Sans font family on MyFonts.com

More of the Alright Sans on WE AND THE COLOR
WATC//Facebook//Twitter//Google+//Pinterest
weandthecolor: Alright Sans - Modern Sans Serif Font Alright Sans designed by Jackson Cavanaugh (Publisher: Okay Type) is a modern sans serif typeface that is inspired by typical grotesque and humanist fonts. Alright Sans has a very clean, harmonic and friendly shape. The capitals of the typeface are a little bit shorter than normal while it has a tall x-height. Alright Sans includes some special OpenType features such as case-sensitive punctuation and an optically-correct superscript which makes the high-quality typesetting much easier. The type family also includes some alternatives, expanded character sets and lining figures. Alright Sans supporting over a hundred languages. The weights of the font family ranging from extra thin to ultra heavy. Buy the Alright Sans font family on MyFonts.com More of the Alright Sans on WE AND THE COLORWATC//Facebook//Twitter//Google+//Pinterest
♥ 349
→ 21 Feb 13 at 9 am

prettyclever:

“Hello, Again” Manifesto — Friends of Type
prettyclever: “Hello, Again” Manifesto — Friends of Type
♥ 996
→ 13 Feb 13 at 12 pm

gurafiku:

Japanese Illustration: Nengajo. Kimiaki Yaegashi. 2012
gurafiku: Japanese Illustration: Nengajo. Kimiaki Yaegashi. 2012
♥ 112
→ 11 Feb 13 at 9 am

weandthecolor:

Visual Identity Design

Visual identity project by Portuguese graphic designer Tiago Campea for Chá Literário – Literary Tea.

More of the visual identity on WE AND THE COLOR
WATC//Facebook//Twitter//Google+//Pinterest
weandthecolor: Visual Identity Design Visual identity project by Portuguese graphic designer Tiago Campea for Chá Literário – Literary Tea. More of the visual identity on WE AND THE COLORWATC//Facebook//Twitter//Google+//Pinterest
♥ 5388
→ 08 Feb 13 at 9 am

anouksmom:

It’s funny. All you have to do is say something nobody understands and they’ll do practically anything you want them to. 

J. D. Salinger

Eins meiner lieblings Buecher.

(via das-leben)
anouksmom: It’s funny. All you have to do is say something nobody understands and they’ll do practically anything you want them to.  J. D. Salinger Eins meiner lieblings Buecher.
♥ 18
→ 08 Feb 13 at 9 am

(Source: andren, via jailbait)
♥ 276
→ 28 Jan 13 at 11 pm

The goal for Elephants in the Kitchen was to create an identity that positions the company as the premier brand of high-quality, raw, vegan cheese. Their nut-based cheeses are created through a variety of processes similar to traditional dairy cheese. Techniques such as culturing, aging, and brine-curing, create a bold and complex flavor that is strikingly similar to the taste of dairy cheese. Drawing from the rich colors and taste of fragrant, bloomy rinds, creamy tans, aged spices, and colorful green herbs, we developed a design system that reflects the bold and unique flavor of their product. The branding includes identity, stationery, packaging, and collateral. Maybe the elephant in the room is that the best cheese is not only vegan, but raw too.

(via typographie)

♥ 9
→ 28 Jan 13 at 10 pm

countingpicas:

space inspirations; bottle/product design (sources: left | right)

♥ 2
→ 28 Jan 13 at 9 pm

(Source: strmb)
♥ 11
→ 28 Jan 13 at 9 pm

(Source: syntheticidea)